Asian Publishers Week
Participant
Smithi Siriwannavy
Country : Thailand
Company : Amarin Corporations PCL.
Job Title : Senior Business Innovation Manager [Amarin Publishing]
E-mail : smithi_si@amarin.co.th
Work Experience in Publishing
My professional background combines engineering, business innovation, and publishing. Before joining the publishing industry, I worked in the Japanese automotive manufacturing sector, where I developed expertise in Lean management, process improvement, and data-driven decision-making. This experience shaped my belief that sustainable innovation begins with understanding how work creates value before introducing new technology.
I currently serve as a Senior Business Innovation Manager at Amarin Corporations Public Company Limited, one of Thailand’s leading publishing and media companies. My work focuses on transforming how the publishing house operates as an integrated system—from business decision-making and real-time operational monitoring to improving workflows across the publishing process. Rather than implementing technology for its own sake, I work with teams across editorial, production, marketing, finance, and management to redesign workflows, improve data visibility, and support better decision-making. My approach combines Lean thinking, knowledge management, workflow automation, and artificial intelligence to create practical solutions that improve operational efficiency and support long-term business growth.
In addition to internal transformation projects, I regularly conduct workshops and lectures on AI applications for researchers and professionals. These experiences have strengthened my ability to bridge business strategy with emerging technologies while helping organizations adopt AI responsibly and effectively.
I believe the future competitiveness of publishing will rest less on how fast companies adopt digital tools than on how well they reorganize work around what people do best.
Current Projects
My current work focuses on building the digital infrastructure that enables publishing organizations to operate more efficiently and make better decisions in the AI era. Each treats AI as an enabling component, not an end in itself.
My central focus is knowledge management as the foundation of publishing work. A publishing house runs on accumulated expertise—house style, editorial decisions, rights records, production know-how—much of which lives in individual heads or scattered files. I am building an internal knowledge platform that captures this expertise and will deliver it through AI-powered chatbots to every function of the publishing house—editors, proofreaders, marketing, media, and rights staff—so each team can retrieve reliable answers instantly. The same knowledge base powers our AI-assisted proofreading support for Thai-language publications: corrections confirmed by human editors flow back in, so editorial quality compounds across titles.
I have also developed web-based systems for production tracking, sales reporting, profit-and-loss analysis, SKU portfolio management, and management dashboards that give managers clear, timely visibility into publishing operations.
In rights and licensing, I am leading the development of a digital rights management system that handles the complexity of publishing contracts and improves the accuracy and transparency of rights administration.
Across these initiatives, my guiding principle is to improve processes before automating them—streamline the workflow, clean the data, then introduce AI. The aim is measurable: shorter production cycles, clearer financial visibility, and fewer hours spent on repetitive administration.
Experience with Asian Publishing Business
N/A
Experience Related to This Year’s Topic
My experience with AI in publishing has focused on one central question: How should publishing organizations redesign work to create greater value? I see AI not as a standalone technology but as part of a broader transformation combining workflow redesign, knowledge management, and organizational capability development.
Three initiatives illustrate this in practice. First, an AI-assisted proofreading system for Thai-language publications, working alongside human editors, has reduced average errors per title by 67%; 132 titles are scheduled to run through it this year, with a projected saving of 31.2 hours of repeat proofreading. Second, AI support in publishing production has cut redundant tasks and process steps by more than 30%. Third, I built an internal sales-reporting web application that operates independently of our ERP, handling varied contract structures and validating data before migration to the production system. An AI-powered internal chatbot—now in development—will extend this foundation, targeting on-demand access to 100% of our product and title information. I have also led development of a digital rights management system for more accurate, efficient administration of contracts and licensing.
Across these projects, I have learned that successful AI adoption depends less on selecting the most advanced model and more on knowing precisely where each workflow creates value. My approach is to simplify, standardize, and improve data quality before automating: AI should strengthen efficient processes, not automate inefficient ones.
These results reflect my broader conviction: the opportunity is not to replace human expertise but to elevate it. As routine cognitive work shifts to intelligent systems, publishing professionals gain time for editorial judgment, relationship building, and intellectual property development: the work that only people can do.
Thailand’s conversation about AI and publishing has moved quickly from experimentation to governance. In July 2026, the Electronic Transactions Development Agency (ETDA) released a revised draft of Thailand’s first AI Act for public consultation—a risk-based framework that would impose transparency obligations for AI-generated content, with mandatory labeling under consideration. Most relevant to publishers, ETDA has convened a committee of intellectual property specialists, legal experts, and judges to define acceptable boundaries for training-data usage and revenue-sharing, responding to the unresolved dispute over AI models trained on copyrighted works without permission.
The market behind this debate is growing again. The Thai book industry recovered from roughly 12.5 billion baht in 2021 to an estimated 18 billion baht in 2025, and the Publishers and Booksellers Association of Thailand (PUBAT) projects 5–8% growth in 2026. This year’s Bangkok International Book Fair drew over 1.3 million visitors—with Generation Z making up around 70% of attendees at recent national book events—and the Bangkok Rights Fair produced more than 600 rights negotiations, notably with Korean, Taiwanese, and Chinese partners. PUBAT is also championing a “book economy” strategy that extends Thai stories into film, series, games, and webtoons.
Against this backdrop, I see the main opportunity in using AI to remove operational friction—metadata, production tracking, reporting, knowledge retrieval—so that a growing market can be served by leaner publishing operations. The main risks are unresolved copyright ownership of AI-trained and AI-generated works, and a widening capability gap between large publishing groups and smaller independent presses. Publishers who engage in the governance debate now, rather than after the law settles, will help shape rules the whole industry can work with.
What would you like to discuss related to this year’s topic?
I would like to explore one central theme: rethinking publishing work before automating it. Many discussions focus on which AI tools publishers should adopt. I believe a more important question is which types of work should humans no longer spend their time doing. By distinguishing routine cognitive work from work that genuinely requires human judgment, cultural sensitivity, and personal relationships, publishers can make better decisions about where AI creates genuine value.
I would also like to discuss practical approaches to AI governance, including how publishers can improve data quality and establish responsible operating models before implementing advanced AI solutions.
Finally, I hope to exchange ideas on regional collaboration among Asian publishers. Although our markets differ, we share many of the same challenges involving copyright, licensing, digital transformation, and workforce development. By sharing practical experiences rather than only discussing technology, we can build more sustainable and human-centered publishing organizations for the AI era.
Connection to Korean Publishing
We have been working with many Korean publishers. Please see the list of Korean publishers below for reference.
– Changbi Publishers
– Jaeum&Moeum
– Sam&Parkers
– Dasan Books
– Namu Bench
– Wisdom House
– Woongjin Think Big
– Clayhouse Inc.
– MUNPIA
– Munhakdongne Publishing
– Influential Inc.
– Kyobo Book Center
– Book21 Publishing Group
– RH Korea Co., Ltd.
– EunHaeng NaMu Publishing Co., Ltd.
– and many more.
– Namu Bench
Your reasons for applying to Asian Publishers Week 2026.
I am applying to Asian Publishers Week 2026 because I believe the publishing industry is experiencing one of the most profound shifts in its history. Artificial intelligence is influencing not only how books and content are produced, but also how publishers make decisions, collaborate, and build sustainable businesses. Responding to these changes requires more than adopting new technologies—it requires rethinking how our profession operates.
Through my work in business innovation, I have learned that lasting progress starts with disciplined groundwork—clear processes, reliable data, and technology introduced only where it demonstrably strengthens performance. I look forward to sharing these practical experiences while learning from publishing leaders across Asia who are addressing similar challenges from different market perspectives.
I am particularly interested in exchanging ideas on responsible AI governance, copyright, editorial excellence, organizational capability, and the evolving role of publishing professionals. Although our markets differ, I believe we share many common questions about how to preserve quality, trust, and cultural value while embracing innovation.
Korea has demonstrated outstanding leadership in publishing, digital content, and intellectual property development. Asian Publishers Week offers an exceptional opportunity to build meaningful professional relationships, exchange practical insights, and explore future collaboration across the region.
I do not believe the future of publishing will be determined by who adopts AI first. It will be shaped by publishers who reorganize deliberately, invest in their people, and protect the human imagination at the heart of every book. That is the conversation I hope to contribute to at Asian Publishers Week 2026.
Your Company Profile Amarin Corporations PCL.
Company Name: Amarin Corporations PCL.
Company Address: 378 Chaiyaphruk Rd. Taling Chan, Bangkok 10170 Thailand
Number of Employees: 2,000
Specialty: Business Innovation Department: Transform
Amarin Corporations Public Company Limited is one of Thailand’s leading publishing and media companies, with nearly five decades of experience in creating trusted content and serving diverse audiences across multiple generations. Founded in 1976 with the launch of Baan Lae Suan magazine, the company has continuously evolved from a traditional magazine publisher into an integrated content enterprise operating across publishing, retail, media, and digital platforms.
Today, Amarin’s business ecosystem encompasses book and magazine publishing, commercial printing, nationwide book distribution, retail bookstores under the Naiin brand, digital media, television, online content, events, e-commerce, and intellectual property development. The company publishes a broad portfolio of titles covering literature, children’s books, education, lifestyle, health, parenting, business, and self-development, serving readers of all ages. Through its extensive publishing portfolio and nationwide distribution network, Amarin plays an important role in promoting reading culture and supporting Thailand’s creative economy.
As reader behavior and technology continue to evolve, Amarin is actively transforming its publishing business by embracing digital innovation, data-driven decision-making, and artificial intelligence. The company is exploring new approaches to editorial workflows, content production, audience engagement, business intelligence, and operational efficiency while maintaining high standards of editorial quality and respect for copyright and intellectual property.
Beyond publishing books and magazines, Amarin views itself as a content-driven organization that creates value across multiple platforms and formats. The company believes that sustainable innovation comes not only from adopting new technologies but also from redesigning workflows, strengthening organizational capabilities, and empowering people to focus on creativity, knowledge creation, and meaningful engagement with readers.
Looking ahead, Amarin remains committed to building a resilient publishing ecosystem through continuous innovation, strategic partnerships, and international collaboration, contributing to the long-term development of Thailand’s publishing industry and the broader Asian publishing community.