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Asian Publishers Week

Participant

Barbaros Altug

Country : Türkiye
Company : Istanbul Copyright Agency
Job Title : Agency Owner
E-mail : b_altug@yahoo.com

Work Experience in Publishing

Started as a literary critic in 1990s, later became a columnist and creative consultant, now working as an agent, curator of literature festivals and events in Berlin and Istanbul, running two book clubs in Berlin (English) and Istanbul (Turkish).

Current Projects

Voo Book Club in English inviting internationally famous authors each month to Berlin (Vincenzo Latronico, Aysegul Savas, Kirsty Bell, Merve Emre etc) with the biggest fashion store Voo in Berlin, acbakk. Bookclub in Istanbul with more than 10.000 followers in Turkish, curator of Berlin-Istanbul Literaturtage literature festival (4th year), a new podcast in Berlin in 2027 on contemporary authors not published in Turkish yet. Also working on literature adaptations and original stories for movies, we in the past were chosen to Busan Film Festival with a movie we produced and visited the festival for premiere (Chronology, 2019).

Experience Related to This Year’s Topic

As a literary agency representing Turkish authors internationally, we have been closely following the rapid transformation AI is bringing to publishing. Rather than viewing AI as a replacement for editorial expertise, we see it as a tool that can strengthen international rights management, translation workflows and market intelligence while reinforcing the importance of human creativity. In our daily work, we have integrated AI into several stages of the publishing process. AI-assisted research helps us identify suitable international publishers, literary prizes, residency programs, grant opportunities for our authors. We use AI to prepare multilingual rights materials, compare editorial positioning across different markets, accelerate the production of synopses, catalog copy and submission packages, always under careful human editorial supervision. We have explored AI as a creative partner during manuscript development. It is particularly useful for structural analysis, identifying inconsistencies, testing narrative alternatives and facilitating dialogue between authors, editors and translators. However, all creative decisions remain firmly in the hands of the author and editor. As rights professionals, copyright is at the center of our concerns. We believe transparency regarding training data, fair licensing models and proper attribution are essential if AI is to become a sustainable part of the publishing ecosystem. Literary agencies have an increasingly important role in protecting authors’ rights while helping publishers navigate new licensing frameworks. Our agency works between Turkey and Europe, where legal and cultural approaches to AI are evolving rapidly. This position allows us to contribute to conversations about how independent agencies and smaller language markets can benefit from AI without compromising literary quality, editorial judgment or authors’ intellectual property.

In Turkey and across Europe, AI has quickly become one of the defining topics in publishing. European discussions are strongly influenced by the EU AI Act, copyright legislation and ongoing debates over transparency. In Turkey the conversation is developing more through publishers, universities, technology companies and professional associations than through dedicated regulation. One of the most visible developments is the growing use of AI-assisted translation, editorial support and marketing. Independent publishers and literary agencies increasingly rely on AI to prepare foreign rights materials and reach international markets with limited resources. For smaller language markets such as Turkish, these tools can significantly increase global visibility. At the same time, concerns about copyright have become central. Authors, translators and publishers are asking whether AI systems have been trained on copyrighted works without consent, how licensing should function and how creative labor should be recognized and compensated. These debates are especially important for literary publishing. Style, voice and originality cannot be separated from the author’s identity. Another emerging issue is trust. Readers increasingly expect transparency about how AI has been used in the production of books, translations, promotional materials. Maintaining confidence in editorial quality will become a competitive advantage. Afterall, I believe the greatest opportunity lies in making international publishing more accessible. AI can

reduce language barriers, improve rights discovery, help independent publishers collaborate across borders. The greatest risk is a publishing ecosystem in which efficiency is valued more highly than originality and long-term investment in authors. Sustainable AI adoption must be accompanied by ethical standards, transparent licensing and continued support for human creativity.

What would you like to discuss related to this year’s topic?

I would like to discuss how AI can strengthen international rights exchange without weakening authors’ rights. Literary agencies occupy a unique position between authors, publishers, translators and international markets, yet our perspective is often missing from discussions about AI. I am interested in transparent AI use in editorial workflows, standards that distinguish human-created literary works from AI-assisted production. I would also like to explore how AI can help publishers from smaller language markets participate more actively in global publishing by improving discoverability, translation, rights matching. I hope to exchange ideas with colleagues from Asia about cross-border publishing, reader engagement and how independent publishers can use AI responsibly while preserving literary diversity and cultural specificity.

Connection to Korean Publishing

Some publishers and agents we signed contracts with : Homilbooks Co, KL Management, Woongjin, Hankyoreh etc. I also followed the remarkable international success of Korean literature over the past decade and greatly admire the work of publishers that have helped bring Korean voices to global readers. I am familiar with Changbi Publishers, Munhakdongne Publishing Group, Minumsa and the Literature Translation Institute of Korea (LTI Korea), whose translation and international promotion programs have become an important model for many countries. Among Korean writers, I have read and greatly admire Han Kang, whose work has expanded international interest in Korean literature, as well as Kim Young-ha, Hwang Sok-yong, Bae Suah and Kyung-sook Shin. I also follow the growing visibility of Korean graphic novels.

I would like to meet all publishers and agencies we signed contracts with so far. I welcome the opportunity to meet rights managers and editors from Changbi Publishers, Munhakdongne, Minumsa, and LTI Korea. I would also be interested in speaking with independent literary publishers that actively acquire translated fiction and collaborate internationally. As a literary agency representing contemporary Turkish literature, I hope to establish long-term partnerships that encourage exchanges between Turkish and Korean publishers, increase translation opportunities in both directions and develop new collaborations in rights licensing and international publishing.

Your reasons for applying to Asian Publishers Week 2026.

Asian Publishers Week offers a unique opportunity to learn from one of the world’s most dynamic publishing regions while sharing perspectives from Turkey and Europe. As a literary agent working internationally, I believe that the future of publishing depends on stronger cross-border collaboration, especially between markets that have traditionally had limited direct exchange. I am particularly interested in understanding how Korean publishers are approaching AI, rights management, digital discovery. I also hope to contribute insights from my experience representing Turkish authors internationally and working with publishers and institutions across Europe. Beyond business opportunities, I see this event as a chance to build long-term professional relationships, exchange best practices, explore new pathways for literary translation between Korea and Turkey. I believe there is significant untapped potential for closer cooperation between our publishing ecosystems and I would be delighted to contribute to that dialogue.

Your Company Profile Istanbul Copyright Agency

Company Name: Istanbul Copyright Agency

Company Address: ORTABAYIR MAH. SAIR CELEBI SK. GÜRTAS I$ MERKEZI

Number of Employees: 3

Specialty: Literary Agency

Founded in 1999 as the first agency in Turkey representing Turkish authors’ rights internationally and locally and foreign publishers and authors in Turkey, our agency signed more than 1000 contracts internationally.

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